Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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LOO, Carle van
Portrait of Diderot

ID: 30631

LOO, Carle van Portrait of Diderot
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LOO, Carle van Portrait of Diderot


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LOO, Carle van

French painter (b. 1705, Nice, d. 1765, Paris).   Related Paintings of LOO, Carle van :. | Une Sultane Prenant le cafe que lui presente une negresse (mk32) | Aeneas Carrying Anchises sg | Halt in the Hunt (mk05) | Halt During the Hunt | The Grand Turk Giving a Concert to his Mistress |
Related Artists:
Louis Gauffier
1762-1801 French Louis Gauffier Gallery French painter. Following his move to Paris, where he became a pupil of Hugues Taraval and a student at the Academie Royale, in 1784 Gauffier shared the Prix de Rome with Jean-Germain Drouais and Antoine-Denis Chaudet (for sculpture), his own work being Christ and the Woman of Canaan (Paris, Ecole N. Sup. B.-A.). During his time in Rome (1785-9) Gauffier worked hard, but his health was poor and the results variable. On his return to Paris he was accepted (agree) by the Academie as a history painter. Soon after, he returned to Rome in order to escape the worsening situation in Revolutionary Paris, although he continued to send his Neo-classical works to the Salon. In March 1790 he married Pauline Chatillon (d July 1801), a portrait painter whom he and Drouais had taught..
Julius Kronberg
1850-1921,Swedish painter and illustrator. He was educated at the Konstakademi in Stockholm, where his teachers were J. C. Boklund (1817-80), August Malmstr?m and Johan Fredrik H?ckert. In 1873 he travelled on a scholarship to D?sseldorf, and in the following year he went to Munich. There he was strongly influenced by the Old Masters (especially Rubens), as well as Hans Makart robustly theatrical style. Together they shaped Kronberg early works, for example Hunting Nymph and Fauns (1875; Stockholm, Nmus.), which caused a sensation when it was exhibited in Stockholm in 1876 and established his reputation. Kronberg left Munich in 1877 and settled in Rome, where, between trips to Egypt and Tunisia, he stayed until 1889, when he returned to Stockholm. During his years in Rome his style became increasingly austere. His exuberant Munich manner was replaced by a colder illusionism, which emphasized the historical details of subjects taken from the Bible and Shakespeare. Typical is David and Saul (1885; Stockholm, Nmus.), which reflected his study of Lawrence Alma-Tadema.
Girolamo Parmigianino
1503-1540 Italian Girolamo Parmigianino Galleries






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